Halloween is located on Saturday of this year, and it is traditionally the least viewed night of the TV. Maybe this is suitable. In 2015, TV can be many things appropriate for the holiday: horrific, terrifying, sweet, masterpiece, depth, and depth. But the only thing that is still struggling with is fear. Do not believe me? Take a moment to look: What is the last regular TV program that was actually scary? I do not mean scary in cutting and cutting, like one of the Leatherface victims. I mean a frightening width from top to bottom, from start to finish. I mean a display, for example, parents.
This is not a criticism as much as the reality of life. Movies, with their operating times, are especially good in maintaining mood. When you take your seat for a horror movie, you mainly agree to be at the edge of 90 to 120 minutes. TV requires, by nature, a variety of tone and stadium. Viewers cannot simply be required to breathe for eight, 10, or even 22 hours per season. Try it and Simoton closer to your offer. Instead, the TV was traditionally to play in the margins of terror, and to build entire series from the outside and maids are usually seized with less than their value before. Anomalous The crowd: slow and painful accumulation. Network investigation, yeomanlike; Long, sadness. (Or, as with SMARMY’s FOX ScreamingThe idea that mockery can be wounded with a deepest depth of the knife.) The scary film is a turn through a haunted house. A frightening TV program is more than inhabited time participation. There should be at least an accidental occurrence towards comfort such as comfort and humor because, let’s be honest, there will be a moment.
If anyone will break the horror code on TV, you would expect a paid service like HBO or Netflix, with unlimited makeup budgets and freedom of the targeted masses accurately with a serial killer. But the most successful series to challenge the priority of the frightening cinema descends from diabolical dances in the main cable. Fx American horror storyIt is still Slaughter of classifications In its fifth repetition, it is likely that the nearest TV has reached the privacy and madness of the continuous movie. Part of this is due to the creative creativity of unbearable width and thirst for the parties. But let’s be honest: the most worthy side of the note Ahs It is not a bearded lady, she is the length of every season. By reducing each cycle to 13 hours and one story, the inconsistent observation of the show can come out like symphony. One does not see Ahs By one Commit Therefore.
AMC Walking dead It is more worthy note. Not only is the TV away and far away The most popular offer Among the demography between the ages of 18 and 34, almost one of the ideas placed in the opening paragraphs. Where most dramas create the series a world, and over time, it spread, adding characters, differences, classes, Walking dead It has a guillotine where the story engine should be. It has no interest in saving the world or treating zombies. Instead, it sets a key camp at the overwhelming moment when most films with stolen end, drowning in sorrow, violence, and loss. “Everything has sex,” is not the place of a traditional TV, but again, Walking dead It is not a traditional chain. Its wonderful efficiency in areas that are often considered – audio design, visual effects, editing, and casting – to preserve it, even when the conspiracy deviates into a kind of sadistic nihilism. In a harmful way, dark consistency Walking dead – Regardless of what is going on, someone is biting every week – is exactly what he preserves as a TV program. At this stage, the firm, firm, reliable suffering has become like laughing path.
Jin page/AMC
This controversial episode was settled on Sunday, in reality Walking deadContact the rest of the TV. In the John Snow era, the popular offers exceeded the limits of time openings. Fandom is a full -clock connecting sport, and seasons are cursed. This display scott m. Gimple It was to qualify The main death was – and thus in his dramatic novel just minutes after putting it in the movement – it was additional evidence that invading games was no longer working in a world in which everyone plays at this high level. on Walking deadand Humans may be just a large size for zombies. But in reality, these characters are wrestling, welcoming our homes every week. Modern display offers, and must be wandered. But he needs to remember their respect.
Despite this error, my main meals from “Thank you” were likes. Although there are still a lot of cases to choose Walking deadI was completely affected by the ability of the show to harness difficult and quick feelings such as pain, tension, despair and monotheism within the limits of the weekly chain. It was almost bankrupt, who was almost of the Drug League, that Nicholas fell as an impossible crowd of zombies surrounded by him. I do not say that I can relate to the choice he chose at that moment – but God, who can blame him? Over and over again, I find the huge scale for this season Walking dead Very annoying that death has always been present but rarely huge or, apparently, inevitable. This enemy is an extremist for television, especially for TV on Sunday night, which has long been a warm stove for the country’s watch. It is the axis helped Walking dead The TV show has become more terrifying in more than one literal meaning; It is emerging feelings now, not just insects.
On Saturday night, while most children at home will calculate their candy, a series of two sheds will be displayed, each of which seeks to keep the Jack-O’-Lantern lamps in November. Despite Sundancetv Return He returned to the second season – I loved the first – it’s Starz’s Award for the dead evil This is actually more familiar with the husband. This is because it takes a loose story that started for the first time in 1978, when two western drama in the frustrated Middle West called Sam Raimi and Bruce Campbell with a bloody short photography called Inside the forest. From this watermelon, the Empire of worship came: a triple Love filmsIn addition to a set of video and video books and books Unlimited opportunities For cosplay. The only connective fabric among all of this: Raymi is unbearable in the cheek/aesthetic axis and the performance of Campbell like Ashley “Ash” Williams, with one hand in her possession Necronomicon. When the ghoul comes, the ash is generally present to send them using one model of one and rifle shells. With no more mountains to climb on the large screen (cinematic restart that fades in 2013) and nothing more Mana spider Dance To the design of the dances, the two take the brand chain saw to the remaining limits for them: the small screen.
This is the thing about Award for the dead evilIt is good. Better, it’s fun in an infectious way, it is the opposite of the polarity Walking deadFacial frown. You do not need to have any knowledge of the date of concession or humor before the synthesis. I would like to say that the opening montage of 57 -year -old Campbell tries to press a belt is a good front, as in the scene that a member of the armed forces (Gille -Jones Generation) is doing. Mild watermelon. What is wonderful Award for the dead evil Doesn’t this not take himself seriously – though, let’s not do it completely. He chooses and chooses his details with great care Should To take seriously. So, the Campbell-is still Iberico de Bellota of hams Movie Hams- Many of the separations that Ash believes as the choice of the series does. Andi, who directed the first hour and promoted or produced the remaining nine, drinks every skiing man, skiing with both gravity and intelligence. With its cut and references to Shabbos dinner, this is not your father’s horror. It is your strange uncle. Thank God for that.
On the other end of the spectrum is Return. if Award for the dead evil It is an artery that explodes from the elaboration, and the French series is the strict Mortis itself. In the first season, the residents of a remote mountainous town were retracted when their dead relatives suddenly returned to life, apparently safely and freezing them when its validity ended. Therefore, a teenage girl is suddenly re -delivered with her teenager barely, and a young mother is visited by the preacher who killed himself during her pregnancy, and she is the owner of the bar who was buried with the happiness of his murderous brother years ago. It is a bold hypothesis, for sure, and it was a lesser exhibition to provide answers. But Jamal Return Was the uncomfortable method that her heavy questions raised, and the way in which she allowed her impossible dream that there is a hypothesis to overcome, slowly and slowly, in a sour nightmare.
In season 2, Return It is still annoying and full as it was always. A few prestigially prestigious offers. It suggests a ghostly gray and metallic light. And music, which she once composed by the Scottish noise poets, are hidden and destructive. The flood took out the city, and the dead created their own community in the mountains. ADèle’s (Clotilde Hesme) – which was impregnated last season by Simon very deceased (Pierre Perier) – is what drives the plot, but the truth is that the plot looks almost secondary in such a strange scene. actually, Return Do not scare as much as it is chased. In a show like this, it is the neighborhoods that slowly drop their masks to detect the creative monsters that lie under them. The supernatural is in fact just a mirror of the frightening capabilities of human nature. It is this psychological cutting, not the most bloody, and most literal type, which is historically outperformed by television. This is because when the movie ends, you can quickly get out of the stage and retreat to the calm safety of the house. On TV, the most always coming scenes Inside the home.