CNN
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Among the many dark gifts, the “Yellowjackets” series of “Yellowjackets”, which is the game of “Yellowjackets” from “Yellowjackets”, is the game of great music this season.
The show-which bounces between a group of soccer players trapped in the Canadian wilderness in the 1990s after the crash of a plane and souls of the two adults interviewed at the present time-nostalgia to the past, integrate the long rhythms from the tail of the last century, with Staples from Tori Amos, destroying early pumping, and mass attack, more.
On Sunday’s episode of “Yellowjackets”, the Alanis Morissette Queen will appear in Rock Rock for the first time a copy of the display display song, “No Return”, and it has already released it as one song.
One of the most unexpected and successful uses of the Dip Music came in the first episode of the second season last month, when Jeff Warren Cole had a moment in the car after an intense experience with the wife Shona (it was done in 2000, but this does not come out of the Rittro VIBE).
In an interview with CNN, the music supervisor at the exhibition explained that the choice of the song Baba Roche was a text, and “as an ideal physical outlet for Morn, her anxious feelings were heading to a height while he was sitting alone in his garage.”
However, other prominent moments in the text program are her salary to explain it, and Fielder has an opportunity to match those moments with appropriate songs of this period.
She said: “I re -realize myself in the era of the show and the spirit of the times when I start building my operating lists for the show.” “The main thing that I try to consider is just staying honest with the story and allowing me to tell me what you might need music.”
An example of this, from the same episode – put the Amos “Cornflake girl” signing path, from her pioneering album in “Under the Pink”.
The song – which is appropriately has “things that rising” just as Shona (Sophie Nils) is about to eat something unimaginable – “he came to mind very quickly as a possibility” for Felder.
“I felt that the words of Amos could serve as a launching platform for the end of the first episode – not only as the reflection of the young Shaona case,” I also noticed, but also as a reflection of the moods and those present in the past, other “bile characters” lived in season 2. ”
Wilder’s work represents a challenge, meaning that there are often an ideal choice of a list of wishes for a song during a certain moment in every text, which may then change because of a technical thing or because the scene needs are developing during production, as a result of many elements, including the performance of actors.
“Everyone in the team always wants the best choice for possible songs to enhance the story,” she said. “When we get to publishing (production), the common question that appears between us during the cooperation process is simply,” Do we think we can overcome this? ”
During this cooperative process, Feller says it “does not think that there is an accurate road map on how to combine songs with any specific scene or story.”
“I always say,” let the image tell you what you need. ((A type of wild, I think?)
Another moment is completely bored of music, which is now famous for the second famous episode of last week, which is characterized by “Climbing by the Walls” from the 1995 “OK Computer” album on soundtrack.
“It seems that the song refers to those indescribable monsters that can live in one’s head,” Veller pointed out, noting the strange collective hallucinations that the group is subjected to as it puts its eaters. “I can’t think of a painful more ideal way (that) the scene, also known as” Eid. ”
For home leadership how important music is in relation to the specific surrounding feeling of “Yellowjackets”, one does not need to look beyond the super -creeping Season 2 trailer As for the show, which is characterized by the exceptional and painful order of the machine of the magazine, there is no doubt in 1995, “Just a girl.”
“I am a great fan of” Yellowjactsts “and Era of music, and this song is particularly.”
“We really tried to add some horror elements to this distinctive song to suit the tone of the show. As someone was the first music love that was Pop Punk and GWEN Stefani, it was the mission of dreams.”
From her collaboration with “Yellowjackets”, Mauricit also felt, inspired by the show.
“I see similarities between” yellowjackets “and my view while writing songs: the enormous density, which is heading to the vagaia without fear of going to performance,” Moriite said in a statement. “I have sought my entire career to support the empowerment of women and sensitivities, and see the world through the female lens, and what is great in this offer is that every character is allowed to be dynamic and complex instead of excessive publications in guidance and low.