Films have been present for more than a century, and have changed dramatically over the years to reflect technology and the culture of the times. However, the essence of what the movie’s experience is somewhat supposed to be the same – so far.
The climbing of the flow of the house is to determine the purpose of movies and nature, and it can make the experience of going to the cinema more than a story that your grandchildren will tell.
From the cinematic event to background noise
Films are used to be something above other types of visual media. They are unique experiences that are supposed to pay an attractive interest for 90 minutes (or nearly), then digest over the days and weeks to follow – assuming it was good!
Now, there is a very little difference between movies and other types of content, thanks to broadcasting services. Although you can still browse movies and TV series separately, on your main screen, everything is just one stream of “content”.
Perhaps this is not very bad, after all we are used to having physical and series collections in the same place as well, but broadcasting services make their own films as well, and films that are produced for cinema have one eye on this run after Cinema.
Films that were produced during the broadcasting era often have the same atmosphere as direct Yore movies. There is something for speed, to conspiracies, and the general approach to the story of stories that feel small and the audience on the sofa surrounded by other deviations.
Electrical status
- release date
-
March 14, 2025
- Operation time
-
128 minutes
- exit
-
Anthony Rousseau, Joe Rousseau
Quality on quality
The flow economies require a continuous dotting of new materials to maintain the subscribers of the people. This means that the platforms give priority to the output on the effect. The mid-budget movie has disappeared for decades-almost, and was briefed by the original budget and billion dollars designed to be safe stakes.
This is how we got absolute garbage like Electrical status Or Zach Snyder Moon of rebels films. They have the appearance of being films, but it seems that you are watching a movie created by Amnesty International knows what a movie looks from abroad, but not what is really a movie.
Vanish film library
One of the great tragedies in cinematic history is the amount of its early movie. Initially, people in movies did not think that it is a valuable art worth preserving it. It was just a little entertainment for the public. As a result, we It lost the vast majority of silent films Because they were not stored properly, and they were lost due to accidents like fire.
It is difficult to imagine to happen for movies from the DVD or Blu-ray tablets. Even VHS and Laserdisc is Laserdiss University that helped keep movies. There are millions and millions of physical copies there, any of them can be used to recover lost media.
But what about the films released today? Some direct broadcasting services are no longer officially released on physical media, and traditional studios reduce the films they also make. This means that the only entities that adhere to copies of modern films are broadcasting services, studios – and pirates.
The films are removed from the (legal) hands to ordinary people, and if these films are not sold or broadcast anywhere, they may not exist either. Many movies in the DVD and Blu-Ray collection are no longer available anywhere, or the version you can flow has been changed or somehow. This is not a position I love at all!
These films are reminded of a terrible algorithm that you mentioned earlier? They are not like this because their creators are stupid. The fact is that the fans do not want films that require their full interest. Broadcasting services are not interested in enjoying your viewing, as long as you are doing it. So a movie designed to be entertaining in the background while everyone is writing down their social media extracts will not be very good when you try, as you know, In fact, watching it as a movie.
What remains of the big screen experience?
Theaters are not completely dead – films that still pack the crowds, and specialized films find life in festivals or boutique distributors. But I believe that most people realize that they have a wonderful home entertainment system, and that the gap between the cinema and the digital version has become smaller all the time.
Frankly, it was the last movie that he ventured Avatar 2I learned that I could not repeat the experience of 48 frames per second three times at home, but as much as I wanted to see a newer Superman The movie, I never found time to go to the theater, and before I know it was available for online rent. So I did it and watch it on my OLED TV at home.
Which – which Do It means that I am at least part of the problem, but even if it becomes outdated cinemas, it still leaves the issue of preserving films in a bad place at the present time, and the rise of these films built by Math and AI – with all ways that lead to the return of broadcasting services as a perpetrator.