Why girls girls Act this way? This is the question that is based on five years of confusing cultural responses on the Lina Doneham epic from questionable decisions, cruelty, narcissism and grace. girls He did not give an answer directly to the question. Despite an unimaginable conversation dialogue and the development of the cross background and acute cultural satire, Hana Horvath and her friends still have an atmosphere of Athens, and spread to existence completely. The question about the reason for these girls leaking drinks, marrys and divertly to Bunkbeeds is similar to the question about the reason for anyone at all.
This made girls Unusual in a cultural scene where the tragic flashback is the unit of decoding the individual motivation coding. To take two modern examples of HBO, The young Pope Connected to abandon childhood Bob Pob Pius with his adult torment, and WestworldThe so -called “main insight” was to be a human being to remember suffering. In society on a broader scale, continuous dialogues about shock, operation, and privilege – codify that Dunaham often wanders as a general figure – needs to consider personal history very seriously as does the current behavior.
on girlsParental issues sometimes on the surface – Abi Jisa Al -Fakhdi, Hannah Monsters, and Mirni March – and the brain chemistry was topped in the Hannah plotting line. But sometimes it seems that the show wants to spoil the idea of explaining the character through shock. Once, Hanna remembered her mother told her children’s bishops touched her vagina at the age of three – but added that she might have been lying on her. In the Iowa writer’s workshop, her peers insisted on her short story about violent sex. She must be fictional from the abusive past; The joke was actually reflecting its adventurous present: “The time I took a couple of cases and asked my friend to discourage me in his chest.”
The confirmed episode of this week “American Bitch”-which has been implemented on online platforms now and broadcast at HBO Suny Night-was referring to the view of the presentation about the cause and psychological result. In this, Hana visits a famous author, Chuck Palmer (Matthew Rice), after writing an article on the accusations that he had sequence on fans of the age of the college. Chuck makes his case because of the innocence, Hanna is linked to some details of her past, and the two seem to understand – then Chuck comes out his penis and presses him against Hana. It is a brutal story and a personal shock, but it is also a story about a system: a sexual dynamic that guarantees a common experience in the deterioration of women, whether in their past or at the present time.
Chuck Palmer has a sudden amount with Hana. Its prosperity is hinted in obsessive -compulsive disorder. It suggests that the book need more stories than anything else, echoing Hana’s experiences all over the cost all the time girls. The bond on their love for Philip Roth, agrees that “you cannot allow politics to dictate what you read or who has sex with him” (Chuck words). More importantly, Chuck announces that he wants to understand the person he is talking to but constantly interrupts his own notes – there may be a sexual basin, but also a familiar narcissistic person girls Viewers. In all these things, Dunham may draw some ideas about the fundamental features that make a writer.
But most of their conversation is the biographical clash. Chuck emphasizes his unity, his daughter’s depression, his ex -wife’s hostility, and the sadness of life in the book. When Hana suggests an inappropriate balance in the strength of the strength with girls on the road, Chuck retracted that the real defect is that she “looks like a secret Victoria model and did not lose my virginity until I was twenty -five years old and Akotan.” He is the victim in this reading. Women are exploiting the online complaint and despair, as well as the strength of the Internet to inflate harmful claims.
This version of the events seems to be convinced Hana, who apologizes for writing something that disturbs Chuck. But the apology is colored by all the butter that came before. Chuck tells her over and again how he thinks she is smart. It gives it a signed version of Roth When it was good. He claims that he invited her to try to correct his real mistake with his accused: No “pays” enough to get to know them as people. When he then asks questions about her life, Hana laughs and answers.
But during a previous period, the Tenser point in the conversation, is just less than her history. In the fifth grade, the English language teacher, Mr. Lasky, admired based on her talent as a writer:
I liked, I liked, I liked private creative writing, I wrote like a small novel or anything else. Sometimes, when he was talking to the chapter, he was standing behind me and was rubbing my neck. Sometimes my head rubbed, cautiously. I am not objectionable. He made me feel privacy. It made me feel that someone saw me and they knew that I would be greater and be really private. It also made children hate me and put lasagna in the damned backpack, but this is a different story.
However, last year, I am at a warehouse party in Booshuk, and this man comes to me and he is like, “Horvath, we went to the middle school together, east of Lanseng!” I am like, “Oh my God, remember how Mr. Lasky was crazy? He was mainly trying to harass me.”
You know what this child said? He looks at the middle of this dreaded party as if he was a judge, and goes, “This is a very dangerous accusation Hana.” And walk away. And I only me at the age of eleven again, and I just get my dreaded neck. Because these things do not disappear.
If this is the long -awaited revelation from Hannah Horvath about her past, this is relatively moderate: no rape, nor violence, only some rub the neck in the chapter. But evidence in this is how it fits a pattern of distorted sexual relationships. Chuck, like Mr. Lansie: A strong older man praises the talents of a young woman intellectual – but also links this praise to the body. Hana’s value as a writer and her value as a body has long been revolving together by the gatekeeper, and Chuck did something very similar to the potential young authors who had sex with them. If they agreed, what were they agreeing? Checking the health of their mind, or the idea that what really matters is their body?
The shock here is not just What Take, too. It is in the extent of fair expressions of discomfort by women with hostility and nullification by men with legal factions. Approval is very important, but the issue is not entirely legal in this case. It is moral, social, and emotional. Hannah does not seem to want either Chuck or Mr. Lasky in prison. She just wants to say the truth about a disturbing and degrading dynamic, and is told – by the man at the Booshuk and Chuck’s party – that she is wrong in it.
The development of the patient is that the shock has now been inflated and revitalized on Hana to speak. Chuck calms her, persuades her that he is not a beast, then draws explosions and goes out against them without warning. For a moment, Hana looks confused. For another moment, it seems that she is considering communicating with her – she holds it. Then it collapses and screams on it.
It gives her an evil smile. All the respect he paid to her before has become a joke. His praise for her mind was to remind that what she really loved was her body. And in the moment of Hana that she is considering if she would surrender – to rush, verify the validity of Fu, and avoid the conflict that will come with the saying of “yes” – was in the same impossible position as many women in front of her.
As a general figure, Lina Dunham wrote a lot about the shock, especially on how to rape in early puberty A concrete effect on her life over the years. But, too, she recently apologized for saying that she had “wished” that she had been aborted to help strengthen this practice – a very common expression of the idea that a person and their global vision are not just a result of the CV.
girls It seems that he is trying to reconcile the need to honor the effect of the past on the present, while realizing that there is no individual history that is an island. Did Mr. Lasky change Hanna forever? maybe. It could be the reason that she wants to “write stories that make people feel lonely [she] She did, “The exact type of the story that I brought to the Chuck apartment. But that previous shock, in itself, did not create the new story that I faced in this episode. It was not, in theory, necessary for Hana for what she went to take care of the accused of Chuck.
Why is this crawling? girls He does not say that because of any specific circumstance in his past. Not only because it is what he calls “a horny ovorm”. It is simply because it He can Be this way. Since it is successful and male, he can put women in sites like those that Hannah has placed. He can expect them to agree often, or not. Other men can even expect women not to complain about it later.
What he does not expect anymore, girls It suggests, it is that women remain really silent. At the last moments of the episode, Hannah is watching the daughter of Chuck playing the role of flute. She alternates her view between the girl and her father, and may weigh the effects of what has just happened and what she should do about it. If Hana writes about his actions, he may harm him in a way that hurts his daughter. But she stars in the girl. You may one day be placed in a position like Hana that you just put it. Maybe it was already.
While leaving Hannah, we see a handful of women walking the opposite direction up on the sidewalk, and then resorting to entering his building. He reads as symbolic: a reference to all women in the past and the future that can contact what Hannah has just passed, and may be mixed with their individual background.